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Watch more than 220 time-based media artworks by over 60 artists from the JULIA STOSCHEK COLLECTION online at JSC Collection Catalogue

ONLINE COLLECTION CATALOG

The online collection itemize offers the opportunity to inquiry and view over 890 works by 300 artists from the JULIA STOSCHEK Collection.

Over the next months, videos and films will be continually uploaded and made accessible online. They are accompanied by explanatory texts near the works. Or yous tin can driblet by our JSC Video Lounge directly.

A list of all attainable works can exist constitute by clicking on „viewable online" „under Tags" and and so selecting „Works".

To date over220film-, video- and sound-based works by62artists from the collection tin can exist viewed in their entirety. Among the works in this first selection are pieces by John Bock, Monica Bonvicini, Klaus vom Bruch, Ian Cheng, Keren Cytter, Jen DeNike, Nathalie Djurberg & Hans Berg, Tracey Emin, Cao Fei, Fischli & Weiss, Dara Friedman, Kate Gilmore, Douglas Gordon, Christian Jankowski, Imi Knoebel, Klara Lidén, Lutz Mommartz, Elizabeth Cost, Pipilotti Rist, Wolfgang Tillmans, Ryan Trecartin, Andro Wekua, and Tobias Zielony.

JSC'due south long-term goal is to make the unabridged collection available online, thus creating a platform for time-based art that supports the accessibility and engagement of fourth dimension-based art.

ABOUT THE COLLECTION

"Many of the works in this collection construct multi-temporal worlds; they harbor not ane flow of events, merely a labyrinth of diverging paths, each with its ain pace and temporality. The drove is thus a complex archive of temporalities, storing passed moments and layers of time that can exist technically repeated, in principle an infinite number of times."

Daniel Birnbaum

from: Daniel Birnbaum, Repetitions, in Number I: Destroy, She Said (Ostfildern: Hatje Cantz Verlag, 2007), 12.

Established in 2002 past Julia Stoschek, the JULIA STOSCHEK Collection has grown to be an expansive collection of fourth dimension-based art spanning film, video, sound, functioning, and estimator and software-based works. At present, over 860 artworks past more 282 contemporary artists  across genres and generations offer an overview of time-based art from the 1960s to today with a stiff focus on works made later on 2000.

The term time-based art (or time-based media) describes works of art that unfold in time. Fourth dimension-based art therefore encompasses all artworks in which duration is a dimension and comprises film, video, single- and multi-aqueduct video installation, slide installations, multimedia environments, sound, operation, computer and software-based artworks such equally virtual and augmented reality, and other forms of engineering-based art. These works are oft allographic, significant they are only visible when installed or projected.

At the JULIA STOSCHEK Drove, early on expanded cinema, video, and performance works by Bruce Nauman, Anthony McCall, Joan Jonas, or Marina Abramović encounter Doug Aitken's video installations, Ian Cheng's live simulations, and Hito Steyerl'due south all-encompassing environments. The drove contains many artworks by pioneering female and feminist artists and experimental filmmakers from the 1960s and '70s, among them Dara Birnbaum, VALIE Consign, Barbara Hammer, and Hannah Wilke. A younger generation of artists includes Ed Atkins, Loretta Fahrenholz, Cyprien Gaillard, Josh Kline, Jon Rafman, Rachel Rose, Mika Rottenberg, Anicka Yi, and Tobias Zielony, to name a few. The drove strives to build sustainable relationships with artists and galleries, focusing on central works and groups of works made throughout artists' careers, growing with and reflecting their evolving practice.

The collection is characterized past an ever-growing technological convergence and interdisciplinary approach: "The video fine art of today is theater, operation, musical performance, sculpture, projection, moving image, moving bodies, trip the light fantastic, stage, screen, existent space, existent fourth dimension, all in i," writes Peter Weibel in the catalog accompanying the exhibition "High Performance," jointly organized by JULIA STOSCHEK Collection and ZKM | Heart for Art and Media in 2015. Bringing these fields together, the collection is unique in its heterogeneity, but certain themes still manifest across the collection, in works that accost sociopolitical questions; identity politics; forms of narrative, fiction, and documentary; the torso and representation; performativity and operation; the gaze; and the human relationship between our built surroundings and the natural world.

Some of these themes have been explored in exhibitions and programs at the JULIA STOSCHEK Collection in Düsseldorf and Berlin, as well as at several international institutions. 27 large-calibration exhibitions take taken place at the drove'southward exhibitions spaces in Düsseldorf and Berlin since 2007. Amongst these were pregnant solo exhibitions past Derek Jarman, Sturtevant, Elizabeth Price, Ed Atkins, Frances Stark, Trisha Donnelly, Cyprien Gaillard, Arthur Jafa, and Ian Cheng.

The start big-scale group exhibition at the collection, Number One: Destroy, She Said (2007–08), was named after a video installation by artist Monica Bonvicini and loosely explored the human relationship between interior and exterior, structure and destruction. Number 2: Fragile (2008–09) focused on the body and corporality, bringing together video, operation, and trunk art. Number Iii: Here and At present (2009–10) was defended solely to performance and the ephemeral, with performances and concerts by some of the most prominent contemporary artists working today scheduled all year long. Almost x years later, Number Xiii: Hello Boys (2015–sixteen) revisited performance and feminist video, questioning the representation of female person identity and the functioning certificate. To celebrate its tenth anniversary, the JULIA STOSCHEK Drove invited artist Ed Atkins to curate a group exhibition in Düsseldorf, which he called Generation Loss (2017). The title refers to the process of quality deterioration as data carriers are copied successively and, at the aforementioned time, to the social upheavals from one generation to the next.

The inaugural exhibition in Berlin, Welt am Draht (2016), addressed the influences and shifts in our social reality, identities, and environs effected by processes of digitalization. Some other group prove, Jaguars and Electrical Eels (2017), explored notions of indigeneity, of hybrids and synthetic forms of life, the migration of the species, and our constantly irresolute perceptions of reality. Large-scale solo presentations supplement the drove exhibition programme. In 2018, the JULIA STOSCHEK Collection, Berlin, presented a comprehensive exhibition by Arthur Jafa, his start in Germany. In addition to exhibitions, smaller projects, talks, and ongoing screenings regularly accompany the program. There are two cinemas in Düsseldorf equipped to screen 16mm and 35mm films in their original format.

LOAN REQUESTS

Loan requests for works of the JULIA STOSCHEK COLLECTION should exist sent past e-mail to Anna-Alexandra Pfau, Head of JSC Düsseldorf & Sammlung, pfau@jsc.fine art

The loan request will be processed if the following conditions are met:

Loan requests must be made at least 6 months before the desired kickoff of the loan menses. The request must incorporate the following information and documents:

Proper noun and address of the institution submitting the loan request; proper noun, part, telephone number, postal address and due east-mail accost of the contact person; exact name of the requested work; period, name of the exhibiting institution and location of the exhibition; detailed exhibition or project description in which the work is to be presented; a current facility report of the institution.

Please note that works that take a reference to Electronic Arts Intermix in the Courtesy line may not be lend through the JULIA STOSCHEK Collection. Delight contact Electronic Arts Intermix, New York straight.

RESTORATION & PRESERVATION

Long-Term Archiving

The conservation requirements for time-based media (TBM) have changed drastically over the final ten years. Initially the medium—specifically videotapes and DVDs—was the principal focus of conservational attention. Just like whatever other materials, media are besides susceptible to aging processes that in the long run tin lead to damage or even the loss of works.

Even so crumbling is but one aspect of the problem. There are also file formats and complex technical installations that are based on calculator technologies or other hardware. All of these components can age: not only the media themselves are affected by the processes of decay, simply even the content tin get unreadable over of the years due to incompatibilities. Technological evolution constantly results in new file formats and software codecs that are adapted in the production process of video artists. This is why in addition to the fabric-related risks, conscientious observation is necessary to ascertain which technologies have a promising future—and which digital platforms and formats are on their manner to becoming obsolete. To this end all new acquisitions must exist thoroughly evaluated and documented to determine the exact type of digital format. The files are so transferred to a digital repository.

To run into all of the different requirements, a multistage strategy for long-term archiving was developed for the JULIA STOSCHEK Collection, based on the "three-pillar approach." The goal is to consolidate the heterogenous drove on a digital level in but a few established and homogeneous target formats. This noticeably reduces the conservation attempt since only a manageable number of formats need to exist regularly checked and monitored to safeguard against formats that are becoming obsolete. This is flanked by individual solutions for artworks that exercise not support a standardized procedure. On a digital level, multiple backups that are independent and redundant requite boosted security, thus ensuring that the collection is preserved.

Media-Fine art Repository

The media art-depository is the eye of the collection. Since fluctuating temperatures and humidity factors cause impairment to videotapes and film, this was i of the most of import factors during the planning. Temperatures of effectually 15 degrees Celsius (59 degrees Fahrenheit) and 35 percent relative humidity (RF) are considered optimal for storing magnetic tapes and was therefore chosen for the repository. These conditions are also appropriate for film and slides.

The media art depot, designed and individually planned for the JULIA STOSCHEK Collection, has two airlocks: one prevents abrupt changes in climate when people enter, while the second airlock is conceived for tapes and media that are stored in the media depository. They can acclimatize slowly in the airlock before they are moved to special mobile shelving for storage. The mobile shelving system, which is equipped with ball-begetting mountings, ensures that the infinite is used optimally. The floor has a stove-enamel end and was checked for leftover magnetic charge to eliminate all risks for the stored videotapes. In add-on, the shelves are grounded to prevent whatever static electricity.

Since dust and air pollution correspond a serious danger for media artworks, the air is filtered multiple times earlier and after the conditioning procedure. Fume and h2o detectors likewise as an alert system simultaneously offering comprehensive hazard protection.

The elaborate technical amenities in combination with the custom mobile shelving brand the media-art repository unique in Europe.

Andreas Weisser

Time-based media conservator

Jacolby Satterwhite

1–8. En Plein Air Abstraction (total length feature), 2018

Katharina Sieverding

24/Iii/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973

Manuel Graf

1000 Jahre sind ein Tag, 2005

Katharina Sieverding

11/Iii/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973

Christian Jankowski

16 mm Mystery, 2004

Christoph Schlingensief

eighteen Bilder pro Sekunde (Dokumentation der Ausstellung im Haus der Kunst, München), 2007

Roxy Paine

182212102002B, 2002

Jeppe Hein

2-Dimensional Mirror Labyrinth, 2006

Katharina Sieverding

26/Three/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973

Charles Richardson

27th March, 2015

A

Wu Tsang

A day in the life of bliss, 2014

David Wojnarowicz

A Fire In My Belly (Film In Progress) and A Burn down In My Abdomen (Excerpt), 1986–1987

Ulay & Marina Abramović

A Operation Anthology. Abramović/Ulay. 14 performances Relation Work (1976–1980), 1976–1980.

Relation in Space, 1976

Talking well-nigh Similarity, 1976

Breathing in, Animate out, 1977

Imponderabilia, 1977

Expansion in Space, 1977

Relation in Move, 1977

Relation in Time, 1977

Calorie-free/Dark, 1977

Balance Proof, 1977

AAA-AAA, 1978

Incision, 1978

Kaiserschnitt, 1978

Charged Space, 1978

Iii, 1978

Ulay & Marina Abramović

A Operation Anthology. Abramović/Ulay. Activeness in 14 predetermined sequences, 1976.

There is a Criminal Impact to Fine art, 1976

Ulay & Marina Abramović

A Performance Anthology. Abramović/Ulay. Four performances by Abramović (1975–1976), 1975–1976.

Art must be beautiful, Artist must be beautiful, 1975

Freeing the Vox, 1976

Freeing the Retention, 1976

Freeing the Body, 1976

Helen Benigson

A Rude Daughter Arse Glistens Similar Silicone. Cluck, Cluck, Cluck i, 2015

Helen Benigson

A Rude Daughter Arse Glistens Similar Silicone. Cluck, Cluck, Cluck 2, 2015

Helen Benigson

A Rude Daughter Arse Glistens Like Silicone. Cluck, Cluck, Cluck 3, 2015

Helen Benigson

A Rude Daughter Arse Glistens Like Silicone. Cluck, Cluck, Cluck 4, 2015

Helen Benigson

A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 5, 2015

Helen Benigson

A Rude Girl Arse Glistens Similar Silicone. Cluck, Cluck, Cluck 6, 2015

Hannah Perry

aahhhhhh, 2015

Basel Abbas & Ruanne Abou-Rahme

Elmgreen & Dragset

Accommodation, Fig. 20

DAS INSTITUT

Adele Röder For DAS INSTITUT Starline, 2010

Christoph Schlingensief

Affenbilder, 2005

Christoph Schlingensief

Affenführer, 2005

Leo Gabin

Ain't Gon Do It, 2015

Pipilotti Rist

Als der Bruder meiner Complain geboren wurde, duftete es nach wilden Birnenblüten vor dem braungebrannten Sims, 1992

Peter Weibel

Als Fuji noch ein Berg state of war, 1990

Lutz Mommartz

Als wär's von Beckett, 1975

Francis Alÿs & Rafael Ortega

David Claerbout

American Car, 2004

Matthew Buckingham

Amos Fortune Road, 1996

Matt Copson

Anarchist, 2015

Jacky Connolly

Anhedonia (total length characteristic), 2017

Ana Mendieta

Anima, Silueta de Cohetes (Firework Slice), 1976

Kerstin Brätsch, Adele Röder

Announcement Poster 1 and 2, 2011

DAS INSTITUT

Apes and Shapes (I'll run into you again in 25 years), 2011

Vito Acconci

Applications, 1970

Colin Montgomery

Arlington National Cemetery (JFK funeral model), 2005

Bruce Nauman

Fine art Make-Up, 1967–1968

Art Brand-Upwards, No. 1, White, 1967

Art Brand-Upward, No. 2, Pink, 1967

Art Make-Up, No. 3, Green, 1967–1968

Art Brand-Upwardly, No. 4, Black, 1967–1968

Cyprien Gaillard

Artefacts, 2011

Natascha Sadr Haghighian

Artificial Life, 1995

Elizabeth Toll

At the House of Mr. X, 2007

Barbara Hammer

Audience, 1982

B

Thomas Demand

Badezimmer (Bathroom), 1997

John Baldessari

Baldessari sings LeWitt, 1972

Claus Föttinger

Barbarella, Matmos and Chief of Matmos, 2006

Christoph Westermeier

Barbarian + Classics, 2012

Sigalit Landau

Spinous Hula, 2000

Manfred Pernice

barriere ‚Tiefengarage', 2008

Ed Fornieles

Bathing, 2015

Sophia Al-Maria

Animate being Type Song, 2019

Francis Alÿs

Beggars, 2004

Jeremy Shaw

All-time Minds Part 1, 2007

Clemens von Wedemeyer

Big Business + The Making of Big Business, 2002

Big Business, 2002

The Making of Big Business organisation, 2002

Mary Lucier

Bird's Centre, 1978

Paul McCarthy

Black and White Tapes, 1970-1975

Ma Bell, 1971

Painting Face Down – White Line, 1972

Spit – Not Looking at the Camera, 1974

Spinning, Brusque segment of xx-minute Tape, 1970–71

Whipping the Wall with Pigment, 1975

Up Down Penis Bear witness, 1974

Zippedy Doo Dance, 1974

Icicle Slobber, 1975

Piping Shadow, 1975

Upside Down Spitting – Bat, 1975

Drawing – Semen Drawing, 1975

Spitting on the Camera Lens, 1974

Upside Downwardly Pipe, 1975

Bruce Nauman

Black Balls, 1969

Christoph Westermeier

Blaker, 2011

Jesper Simply

Bliss and Sky, 2004

Doug Aitken

Blow Debris, 2000

Pipilotti Rist

Blutclip, 1993

Ian Cheng

BOB (Handbag of Beliefs), 2018–2019

Hannah Black

Bodybuilding, 2015

Adam Putnam

Bookshelf, 1997

Matt Copson

Booty Telephone call, 2015

Nam June Paik

Built-in Over again, 1991

Bruce Nauman

Bouncing Balls, 1969

Bruce Nauman

Billowy in the Corner No. i, 1968

Bruce Nauman

Bouncing in the Corner, No. 2: Upside Down, 1969

Bruce Nauman

Billowy Ii Assurance Betwixt the Floor and Ceiling with Changing Rhythms, 1967–1968

Matt Copson

Broadcast, 2015

Doug Aitken

Broken Drinking glass in the Slipstream, 2003

Lonnie van Brummelen & Siebren de Haan

Reynold Reynolds & Patrick Jolley

Burn, 2002

A.G. Burns & A.L. Steiner

Peter Fischli & David Weiss

Büsi, 2001

Joseph Beuys

Buttocklifting (Edition Staeck), 1974

C

Taryn Simon

CALVIN WASHINGTON, C&E Cabin, Room No. 24, Waco, Texas. Where an informant claimed to have heard Washington confess. Served 13 years of a life sentence for capital murder, 2002

Karl Wilhelm Diefenbach

Capri, 1911

Till Gerhard

Captain America, 2004

Cemile Sahin

car, road, mountain, 2020

Charles Richardson

Carramesh, 2015

Julius Shulman

Example Study House #22. Los Angeles, CA, Pierre Koenig Builder, 1960

Andreas Gursky

Heart Pompidou, 1995

Richard Artschwager

Chair/Chair, 1980

Richard Artschwager

Chair/Chair, 1980

Mika Rottenberg

Chasing Waterfalls. The Rising and Fall of the Astonishing Vii Sutherland Sisters, 2006

Mark Leckey

Cinema-in-the-Round, 2006–2008

Cyprien Gaillard

Cities of Gilt and Mirrors, 2009

Ed Fornieles

Climbing, 2015

Andreas Gursky

Cocoon II, 2008

Catherine Opie

Deputed Portrait: Julia and Jacob, 2019

A.Thou. Burns & A.L. Steiner

Community Action Eye, 2010

Ulay & Marina Abramović

Continental Videoseries. Abramović/Ulay (1983–1986), 1983–1986.

Urban center of Angels, 1983

Terra Degla Dea Madre, 1984

Terminal Garden, 1986

China Band, unedited video notebook, 1988

Michael Snow

*Corpus Callosum, 2002

Vito Acconci

Corrections, 1970

Jane Crawford & Robert Fiore

James Richards & Leslie Thornton

Crossing, 2016

Kandis Williams

cruz: or, every bit Spillers puts information technology, „the convict body becomes the source of an irresistible, subversive sensuality", 2020

Brock Enright

Crystal Chaos Sign (pink), 2007

D

Bruce Nauman

Dance or Exercise on the Perimeter of a Square (Foursquare Dance), 1967–1968

Klaus vom Bruch

Das Alliiertenband, 1982

Clemens von Wedemeyer

Das Bildermuseum brennt, 2004/05

Leo Gabin

Date Yourself, 2015

Ed Atkins

Death Mask II: The Scent, 2010

Ed Atkins

Decease Mask Three, 2011

Jessica Mein

DeleveleD, 2007

Asier Mendizabal

Delimitar #1, 2009

Asier Mendizabal

Delimitar #2, 2009

Asier Mendizabal

Delimitar #3, 2009

Asier Mendizabal

Delimitar #4, 2009

Asier Mendizabal

Delimitar #5, 2009

Ed Atkins

Delivery to the Following Recipient Failed Permanently, 2011

Jan Paul Evers

Der Abstand zwischen den Gipfeln menschlicher Möglichkeiten, 2011

Tobias Zielony

Der Brief (The Letter), 2013

Anthony Burdin

Desert Mix, „Get See um Black Plumage", 2003

Josh Kline

Designer's Caput in Tim Coppens (Tim), 2013

Cyprien Gaillard

Desniansky Raion, 2007

Monica Bonvicini

Destroy She Said, 1998

Thomas Demand

Details (Sportscar), 2005

Frances Stark

Detumescence and/or its Opposite (from a Torment of Follies), 2012

Jana Euler

Die Höhle aus Löwen, 2013

Christian Jankowski

Dice Jagd, 1992/1997

Till Gerhard

Die Ordnung der Dinge, 2004

Lutz Mommartz

Die Treppe, 1967

STURTEVANT

Dillinger Running Series, 2000

Christoph Steinmeyer

Disco Inferno Edition, 2008

Adam Putnam

Dish Cabinet, 1997

Timur Si-Qin

Display (Peace), 2015

Joan Jonas

Disturbances, 1974

Nathalie Djurberg & Hans Berg

Chloe Wise

practice you lot really call back he fingered her, 2015

Chris Brunt

Documentation of selected works, 1971–1975

Deadman, 1972

Bed Piece, 1972

Through the Night Softly, 1973

Icarus, 1973

Shoot, 1971

Thorben Eggers

Doppelseite, 2015

Sophie Calle

Double Blind, 1992

Thiago Rocha Pitta

Double fountain or cooked mural, 2005

Barbara Hammer

Double Force, 1978

Jon Rafman

Dream Journal 2016 – 2019, 2019

Alex Müller

Drei Finger Dick, 2005

Helen Marten

Dust and Piranhas, 2011

East

Rosemarie Trockel

Egg-trying to get warm (Versuch nach Mach), 1994

Rosemarie Trockel

Ei-Dorado, 1992/1998

Martin Honert

Eisbär, 1995/2001

STURTEVANT

Elastic Tango, 2010

Colin Montgomery

Emergency Doors (Smithsonian American History Museum), 2006

Ian Cheng

Emissary Forks At Perfection, 2015

Ian Cheng

Emissary in the Squat of Gods, 2015

Ian Cheng

Emissary Sunsets The Self, 2017

Paul Pfeiffer

Empire, 2004

Natascha Sadr Haghighian

Empire of the Senseless Part 2, 2006

Nam June Paik

EMPIRE State Building, 1995

Encyclopedia Pictura & Björk

Pipilotti Rist

(Entlastungen) Pipilottis Fehler, 1988

Rob Pruitt

Esprit de Corps: Guitar Jam, 2006

Kandis Williams

Eurydice, 2018

Ed Atkins

Even Pricks, 2013

Mathilde Rosier

Every Twenty-four hour period the Same, 2002

Helen Marten

Evian Illness, 2012

Martti Kalliala & Daniel Keller

Exitscape 1, 2015

Martti Kalliala & Daniel Keller

Exitscape ii, 2015

Martti Kalliala & Daniel Keller

Exitscape 3, 2015

Martti Kalliala & Daniel Keller

Exitscape 4, 2015

Martti Kalliala & Daniel Keller

Exitscape 5, 2015

Martti Kalliala & Daniel Keller

Exitscape half-dozen, 2015

Charles Richardson

Extra, 2015

Mike Kelley

Extracurricular Activeness Projective Reconstruction #36 (Vice Anglais), 2011

Mike Kelley

Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), 2011

F

VALIE Export

Facing a Family, 1971

Hito Steyerl

Manufactory of the Sunday, 2015

Ed Fornieles

Falling, 2015

Patty Chang

Fan Dance, 2003

Leo Gabin

Fast Lost past Ho Ho Click, 2015

Tracey Emin

Experience Your Affect, 2016

Mark Leckey

Felix Gets Broadcasted, 2007

Lynda Benglis

Female Sensibility, 1973

Moritz Wegwerth

Fenster, 2013

Laurel Nakadate

Fever Dream with Rabbit, 2009

GCC

Figure A: Amalgamated City, 2013

Asier Mendizabal

Figures and Prefigurations (Defined, A. Rodchenko, 1930, Political Football game), 2009

Asier Mendizabal

Figures and Prefigurations (Divers, V. Palladini, 1926), 2009

STURTEVANT

Finite/Infinite, 2010

Mark Leckey

Fiorucci Made Me Hardcore, 1999

Peter Fischli & David Weiss

Jack Smith

Flaming Creatures, 1962/63

Josh Kline

Forever 27 (Kurt), 2013

Josh Kline

Forever 48 (Whitney), 2013

Paul Pfeiffer

Four Horsemen of the Apocalypse (15), 2004

Paul Pfeiffer

Four Horsemen of the Apocalypse (16), 2004

Keren Cytter

Four Seasons, 2009

Claus Föttinger

Fragile-Bar, 2008

Aaron Young

Freedom Fries, 2005

Aaron Immature

Freeformdome, 2003

Wolfgang Tillmans

Freischwimmer 21, 2004

Charles Richardson

Friend, 2015

WangShui

From Its Rima oris Came a River of Loftier-End Residential Appliances, 2018

Alex McQuilkin

Fucked, 1999

Carolee Schneemann

Fuses, 1964–1967

Yard

Andreas Gursky

Gasherd, 1980

Oliver Payne & Nick Relph

Gentlemen, 2003

Hannah Wilke

Gestures, 1974

Bernadette Corporation

Get rid of yourself, 2003

Alex McQuilkin

Get Your Gun Up, 2002

Jen DeNike

Girls like me, 2006

Nam June Paik

Global Groove, 1973

Rob Pruitt

Global Warming, 2006

Matt Calderwood

Gloss, 2004

Torbjørn Rødland

Goldene Tränen, 2002

Aaron Young

Good Boy, 2001

Heike Baranowsky

Gras, 2001

Marking Leckey

GreenScreenRefrigerator, 2010

Jan Paul Evers

Große rekursive Funktion, 2010

Lonnie van Brummelen & Siebren de Haan

Grossraum (Borders of Europe), 2004/05

Klara Lidén

Grounding, 2018

H

Charles Atlas

Hail the New Puritan, 1985/86

Monica Bonvicini

Hammering Out (an old argument), 1998–2003

Klara Lidén

Handicap (Konst Fack), 2007

Hannah Wilke

Hannah Wilke Through the Large Drinking glass, 1976

Claus Föttinger

Hanoi/Saigon, 2007

Paul Chan

Happiness (Finally) After 35,000 Years of Culture (after Henry Darger and Charles Fourier), 2000–2003

Asier Mendizabal

Hard Edge four, 2010

Aura Rosenberg

Harmony Korine/Carmen, 1998

Pecker Viola

Hatsu-Yume (First Dream), 1981

Anthony Burdin

He Ain't No Fuckin' Drumma, Summertime P-lot Bout 2003, Oxnard CA (1. Light My Fire, ii. Kashmiur), 2003

Wolfgang Tillmans

Heartbeat/Armpit, 2003

Paul McCarthy & Mike Kelley

Heidi, 1992

Hannah Wilke

Hello Boys, 1975

Trisha Baga

Hercules, 2012

Aaron Immature

High Performance, 2000

Florian Meisenberg

hihihihihihihihihihihih, 2015

Cao Fei

Hip Hop Guangzhou, 2003

Christian Jankowski

Hollywoodschnee, 2004

Nancy Holt & Robert Smithson

Thiago Rocha Pitta

Homage to JMW Turner, 2002

Jack Smith

Hot Air Specialists, 1980s

Peter Fischli & David Weiss

Hunde, 2003

Lina Lapelytė

Hunky Bluff Human action 1, 2015

Lina Lapelytė

Hunky Bluff Deed two, 2015

Lina Lapelytė

Hunky Bluff Human activity three, 2015

Lina Lapelytė

Hunky Bluff ACT four, 2015

Lina Lapelytė

Hunky Bluff Deed 5, 2015

Lina Lapelytė

Hunky Bluff Deed 6, 2015

I

Sean Bluechel

I am in love with a succubus, 2006

Jeremy Shaw

I Tin can Run into FOREVER, 2018

Tracey Emin

I Tin't Dearest Anymore, 2016

Rindon Johnson

I First you (11/xi), 2018

Britta Thie

„I googled my mom and was relieved that she is still safe", 2016

Beatrice Gibson

I HOPE I'M LOUD WHEN I'M DEAD, 2018

Tracey Emin

I Lay Here, 2016

Christoph Schlingensief

I want to destroy, 2005

Claus Föttinger

I Desire To See How Yous See, 2010

Barbara Hammer

I Was/I Am, 1973

Cao Fei

i.Mirror by China Tracy (AKA: Cao Fei), 2007

Aaron Young

I.P.O (25 Offerings), 2006

Philip Topolovac

I've Never Been to Berghain, 2016

Pipilotti Rist

I'k a Victim of This Song, 1995

Pipilotti Rist

I'm not the Daughter who misses much, 1986

Britta Thie

„If something turns into hype that once saved you, information technology feels like you are back on the Titanic once more. Merely Jack Dawson has already left you", 2016

Loretta Fahrenholz

Implosion, 2011

Timur Si-Qin

In Memoriam nine, 2015

Stephen Vitiello

In The Woods, 2015

Gary Hill

Incidence of Catastrophe, 1987–1988

Alex McQuilkin

Indefinite Line Towards Becoming the Perfect SoHo Girl, 2000

Lawrence Weiner

Inherent in the Rhumb Line, 2005

Matt Copson

Inherited Deficit, 2015

Hannah Wilke

Intercourse with …, 1978

Britta Thie

„Interfaces get our atmospheric condition", 2016

Doug Aitken

Interiors, 2002

Rosemarie Trockel

Interview, 1994

Nandipha Mntambo

Intsandvokati, 2008

Thiago Rocha Pitta

Inverted zenith, 2005

Nathalie Djurberg & Hans Berg

It's the Mother, 2008

Britta Thie

„Information technology's all practiced in Italics", 2016

J

Lutz Bacher

James Dean, 1986/2014

Hernan Bas

Jetsam from the wreck of the Half Moon, 2016

Richard Phillips

Julia, 2014

Candida Höfer

Julia Stoschek Collection Düsseldorf VIII, 2008

Candida Höfer

Julia Stoschek Collection Iv, 2008

Jack Smith

Jungle Island, 1967

Tracey Emin

Merely Let Me Dearest You, 2016

Yard

Yard-HOLE

Thousand-Pigsty for education, 2016

Martti Kalliala & Daniel Keller

Klara Lidén

Kasta Macka, 2009

Wolfgang Tillmans

Kate McQueen, 1996

Hannah Perry

keep the peace, 2015

Till Gerhard

Kleiner Hunger, 2006

Cyprien Gaillard

KOE, 2015

VALIE Consign

Körperkonfiguration, 1982

Franz West

Künstlerstuhl K095, 2011

Franz W

Künstlerstuhl K104, 2011

Franz West

Künstlerstuhl K107, 2011

Franz West

Künstlerstuhl K108, 2011

Franz W

Künstlerstuhl K116, 2011

Franz West

Künstlerstuhl K117, 2011

Franz West

Künstlerstuhl K118, 2011

Franz Westward

Künstlerstuhl K121, 2011

Franz West

Künstlerstuhl K122, 2011

Franz Due west

Künstlerstuhl K126, 2011

Franz West

Künstlerstuhl K130, 2011

Franz Westward

Künstlerstuhl K131, 2011

L

Cyprien Gaillard

50'Ange du antechamber (Vierte Fassung), 2019

Wolfgang Tillmans

LA still life, 2001

Mark Manders

Large Figure with Thin Paper, 2010

Taryn Simon

LARRY MAYES Scene of arrest, The Royal Inn, Gary, Indiana. Police found Mayes hiding beneath a mattress in this room. Served 18.v years of an fourscore-year sentence for rape, robbery and unlawful deviate bear, 2002

Tobias Zielony

Le Vele di Scampia, 2009

Marcel Dzama

Leila Khaled does not need me, 2008

Marie-Jo Lafontaine

Les Larmes d'Acier, 1988

Keren Cytter

Les Ruissellements du Diable, 2008

Hannah Perry

allow go beat, 2015

Rachel Maclean

Allow It Go – Part ane, 2015

Rachel Maclean

Let It Get – Part two, 2015

Rachel Maclean

Let Information technology Become – Part 3, 2015

Rachel Maclean

Permit Information technology Go – Role 4, 2015

Rachel Maclean

Let Information technology Get – Function five, 2015

Rachel Maclean

Let It Get – Part 6, 2015

Matt Copson

Letter from War, 2015

Matt Calderwood

Light, 2004

Claus Föttinger

Low-cal Object Jaguars and Electrical Eels, 2017

Claus Föttinger

Low-cal Object Kill, 2014

Claus Föttinger

Light Object No. i: Destroy, She Said, 2007

Claus Föttinger

Lite Object No. 10: Trisha Donnelly, 2015

Claus Föttinger

Light Object No. 11: Cyprien Gaillard, 2015

Claus Föttinger

Calorie-free Object No. 12: Hello Boys, 2016

Claus Föttinger

Lite Object No. 13: Hito Steyerl – Missed Connections, 2016

Claus Föttinger

Light Object No. 2: Frail, 2008

Claus Föttinger

Light Object No. 3: Here and At present, 2009

Claus Föttinger

Light Object No. 4: Derek Jarman – Super8, 2010

Claus Föttinger

Low-cal Object No. 6: Flaming Creatures, 2012

Claus Föttinger

Light Object No. 7: Ed Atkins – Frances Stark, 2013

Claus Föttinger

Lite Object No. eight: Sturtevant, 2014

Claus Föttinger

Calorie-free Object Welt am Draht, 2016

Claus Föttinger

Low-cal Object: Arthur Jafa – A Series of utterly improbable, extraordinary renditions, 2018

Matt Calderwood

Lightning, 2005

Jeremy Shaw

Liminals, 2017

Anthony McCall

Line Describing a Cone, 1973

Bruce Nauman

Lip Sync, 1969

Hito Steyerl

Lovely Andrea, 2007

Christoph Westermeier

Lüster, 2011

K

Mark Leckey

Made in 'Eaven, 2004

Kate Gilmore

Chief Squeeze, 2006

Britta Thie

„MALL-E", 2016

Bunny Rogers

Mandy'south Piano Solo in Columbine Cafeteria, 2016

Tobias Zielony

Maskirovka, 2017

Mathilde ter Heijne

Mathilde, Mathilde, 2000

Paul McCarthy & Mike Kelley

Christoph Schlingensief

Bulletin in a Bottle, 2008

Aura Rosenberg

Mike Kelley/Carmen, 1996

Kader Attia

Mimesis as Resistance, 2013

Meriem Bennani

MISSION TEENS: French School in Morocco, 2019

Ulay & Marina Abramović

Modus Vivendi. Abramović/Ulay (1979–1986), 1979–1986.

Communist Torso/Fascist Torso, 1979

That Self, 1980

Anima Mundi, 1983

Positive Nil, 1983

Modus Vivendi, 1985

Dark See Crossing Conjunction, 1983

The Observer with Remy Zaugg, 1984

Pep Agut

Monday ombre est un mur, 1996

Heike Baranowsky

Mondfahrt, 2001

Nancy Holt

Mono Lake, 1968-2004

Simon Denny

Multimedia Double Sail progression, 2009

Multimedia Double Sail Toshiba, 2009

Multimedia Double Canvas Thomson, 2009

Multimedia Double Canvas Tevion, 2009

Multimedia Double Canvas Hantarex, 2009

Multimedia Double Canvas Philips, 2009

Multimedia Double Canvas Samsung, 2009

Frances Stark

My Best Thing, 2011

Kate Gilmore

My Love is an Anchor, 2004

Loretta Fahrenholz

My Throat, My Air, 2013

Due north

Asier Mendizabal

Due north,S,O,T,C, 2008

Wolfgang Tillmans

nackt, 2003

Christoph Westermeier

Nancy, Pamela, Thomas, Diana, Unity, Jessica, Deborah, 2011

Cao Guimarães

Nanofania, 2003

Charles Richardson

Needles, 2015

Andro Wekua

Never Sleep with a Strawberry in Your Mouth, 2010

Douglas Gordon

New Colour Empire, 2006–2010

Douglas Gordon

New Colour Empires, 2006–2010

Cyprien Gaillard

Nightlife, 2015

Barbara Hammer

No No Nooky T.Five., 1987

Jack Smith

No President, 1967–1970

Bjørn Melhus

No Sunshine, 1997

Jack Smith

Normal Honey, 1963–1965

Frances Stark

Zilch is enough, 2012

Hito Steyerl

Nov, 2004

O

Katharina Sieverding

o.T., 1990

Ilit Azoulay

Object #one, 2015

Ilit Azoulay

Object #2, 2015

Ilit Azoulay

Object #three, 2015

Ilit Azoulay

Object #4, 2015

Ilit Azoulay

Object #5, 2015

Ilit Azoulay

Object #half dozen, 2015

Cyprien Gaillard

Bounding main 2 Ocean, 2019

Jon Rafman

Oh the humanity, 2015

Matt Copson

Oh-reg-ah-no, 2015

Alexander Bornschein

Ohne Titel, 2011

Claus Föttinger

Ohne Titel, 2004

Franz West

ohne Titel (L28), 2006

Franz West

ohne Titel (L31), 2006

Takeshi Murata

OM Making it Pelting, 2015

Takeshi Murata

OM Passenger, 2015

Wolfgang Tillmans

Omen, 1991

Till Gerhard

Online Polonäse, 2006

Vito Acconci

Openings, 1970

Frances Stark

Osservate, leggete con me, 2012

Jack Smith

Overstimulated, 1959–1963

P

Newspaper Rad

P-Unit of measurement Mixtape, 2005

Seth Price

„Painting" Sites, 2000/01

Rachel Rose

Palisades, 2015

Palisades in Palisades, 2014

Palisades (audio piece), 2015

A Minute Ago, 2014

Ballad Bove

Panegyric (Faddy Photocollage), 2003

Klara Lidén

Paralyzed, 2003

Ed Atkins

Paris Light-green, 2009

Meriem Bennani

Political party on the CAPS, 2018

Jamie Crewe

Pastoral Drama, 2018

Oliver Payne & Nick Relph

Wolfgang Tillmans

Peas, 2003

Dan Graham

Performer/ Audience/ Mirror, 1975

Pipilotti Rist

Pickelporno, 1992

January Paul Evers

Place de Pyramide, 2009

Barbara Hammer

Identify Mattes, 1987

Takeshi Murata

Plant Whisperer, 2015

Bruce Nauman

Playing A Notation on the Violin While I Walk Around the Studio, 1967–1968

Julia Scher

Please Feel Costless (The Ecology of Visibility), 2020

Bunny Rogers

Poetry reading in Columbine Library with Joan of Arc / Poetry reading with Gazlene Membrane in Columbine Deli, 2014

Jon Rafman

Poor Magic, 2017

Dara Birnbaum

Pop Pop Video, 1980

Guerrilla Girls

Portfolio Compleat, 1985–2016

Jan Paul Evers

Portrait Julia Stoschek, 2011

Ryan Gander

Portrait Of A Colour Blind Artist Obscured By Flowers, 2016

Clegg & Guttman

Portrait of a Lady, 2018

Thomas Ruff

Porträt 2009 (J. Stoschek), 2009

Elmgreen & Dragset

Powerless Structures, Fig. 101 (Maquette), 2015

Gary Hill

Primarily Speaking, 1981–1983

Hannah Perry

Princess & princesses, 2015

Gordon Matta-Clark

Program Five, 1972–1976

Automation Firm, 1971

Clockshower, 1973

City Slivers, 1976

Dennis Oppenheim

Program Ane: Aspen Projects, 1970

Fabric Interchange, 1970

Identity Transfer, 1970

Rocked Hand, 1970

Compression – FERN #1, 1970

Pressure Piece #i, 1970

Glassed Hand, 1970

Compression – Poison Oak, 1970

Pinch – FERN #2, 1970

Leafed Hand, 1970

Gordon Matta-Clark

Program I: Chinatown Voyeur, 1971

Gordon Matta-Clark

Program Seven, 1974–2005

Sous-Sols de Paris (Paris Hugger-mugger), 1977–2005

Conical Intersect, 1975

Gordon Matta-Clark

Program Six, 1974–1976

Substrait (Underground Dailies), 1976

Bingo/Ninths, 1974

Splitting, 1974

Dennis Oppenheim

Program Six, 1971/72

Forming Sounds, 1971

2 Stage Transfer Cartoon (Advancing to Future State), 1971

2 Stage Transfer Drawing (Retreating to a Past Land), 1971

A Feedback Situation, 1972

3 Stage Transfer Drawing, 1971

Ii Stage Transfer Drawing (Returning to a Past State), 1971

Objectified Counterforces, 1971

Shadow Project, 1971

Gordon Matta-Clark

Programme Three, 1971–1975

Fire Child, 1971

Fresh Kill, 1972

Day'southward Stop, 1975

Johanna Billing

Project for a Revolution, 2000

Imi Knoebel

Projektion Ten, 1972

Imi Knoebel

Projektion X Remake, 2005

Barbara Hammer

Psychosynthesis, 1975

Bruce Nauman

Pulling Oral fissure, 1969

Takeshi Murata

Pumpjack Popeye, 2015

Q

Jeremy Shaw

Quickeners, 2014

R

James Richards

Radio At Night, 2015

Stephen Vitiello

Ratner's Star, 2015

Francis Alÿs in collaboration with Rafael Ortega

Rehearsal I (Ensayo I), 1999-2001

Claus Föttinger

Remix Luhmanneck for Cities of Aureate and Mirrors, 2011

Kon Trubkovich

Repeat Offenders, 2006

Wolfgang Tillmans

Resolute Rave, 2015

Jack Smith

Respectable Creatures, 1950–1966

Dara Friedman

Revolution, 2003

Reynold Reynolds & Patrick Jolley

Florian Meisenberg

rghwori, 2015

Andreas Gursky

Rhein II, 1999

James Richards & Leslie Thornton

Clemens von Wedemeyer & Maya Schweizer

Rien du tout, 2006

Thiago Rocha Pitta

Rio de Janeiro X Sao Paulo, air trip with highway time or addressless dear alphabetic character, 2005

Cao Fei

RMB City – A Second Life Metropolis Planning by China Tracy, 2007

Pierre Klossowski

Roberte aux barres parallèles, 1984

Dan Graham

Stone my Religion, 1982-84

Taryn Simon

RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served eight years of a death sentence for Rape and Murder, 2002

Jane Crawford & Robert Fiore

Rundown, 1994

S

Barbara Hammer

Sanctus, 1990

Trisha Donnelly

Satin Operator, 2007

Heike Baranowsky

Schwimmerin, 2000

Trisha Donnelly

Sconce, 2013

Jack Smith

Scotch Tape, 1959–1962

Matt Calderwood

Screen, 2005

Julia Scher

Security By Julia (Dispenser), 2020

Lutz Mommartz

Selbstschüsse, 1967

Timur Si-Qin

Selection Brandish: Ancestral Prayer, 2011, 2011

William Wegman

Selections from 1970–78, 1981

Andreas Korte

Self Coded, 2008

Klara Lidén

Self Portrait with the Keys to the Urban center, 2005

Elmgreen & Dragset

Self-Portrait, No.41, 2016

Sarah Lucas

Selfish In Bed Ii, 2000

Martha Rosler

Semiotics of the kitchen, 1975

Lutz Bacher

Sexual activity with Strangers, 1986

Pipilotti Rist

Sexy Pitiful I, 1987

Marker Leckey

Shades of Destructors, 2005

Patty Chang

Shaved (At A Loss), 1998

Tracey Emin

She Lay At that place, 2016

Peggy Ahwesh

She Boob, 2001

Chloe Wise

she's so talented, 2015

Jen DeNike

Shipwreck, 2005

Andro Wekua

Should be titled, 2010/2011

Chloe Wise

should I add an emoji, 2015

Hannah Perry

sick off smoke, 2015

Clemens von Wedemeyer

Silberhöhe + Die Siedlung, 2003/04

Silberhöhe, 2003

Die Siedlung, 2004

Ed Ruscha

Sin-Without, 2002

Ed Fornieles

Sitting, 2015

Tony Oursler

Sixth (Dusseldorf Variation), 2005-2007

Ed Fornieles

Sleeping, 2015

Jesper Just

Something to Dear, 2005

Tracey Emin

Sometimes the wearing apparel is worth more money than the coin, 2001

Florian Meisenberg

somewhere_sideways, 2015

Tony Oursler

Son of Oil, 1982

Till Gerhard

Sondervorstellung, 2006

Nandipha Mntambo

Sondzela, 2008

Jack Smith

Song for Hire, 1969

Joan Jonas

Songdelay, 1973

Lutz Mommartz

Soziale Plastik, 1969

Robert Smithson

Spiral Jetty, 1970

Carsten Nicolai

Spray, 2004

Terence Koh

Sprungkopf, 2006

Bruce Nauman

Stamping in the Studio, 1968

Hashemite kingdom of jordan Wolfson

Star Field (month 25), 2004

Stephen Vitiello

Stars In My Pockets Like Grains Of Sand, 2015

Douglas Gordon

Staying abode (eighteen.14) and going out (21.fourteen), 2005

Douglas Gordon

Staying home (xviii.xvi) and going out (21.16), 2005

Olivia Walsh

(Still) Doubt II, 2016

Matt Calderwood

Strips (vertical), 2005

Thiago Rocha Pitta

Sublimation, condensation, zenith and precipitation, 2005

Mathilde ter Heijne

Suicide Bomb, 2000

Carol Bove

Summer Solstice, Düsseldorf, 2031, 2006

Nancy Holt

Sun Tunnels, 1978

Elizabeth Price

Sunlight, 2013

Andreas Gursky

Supernova, 1999

Leo Gabin

Surfer Ho Remix, 2015

Laure Prouvost

Swallow, 2013

Nancy Holt & Robert Smithson

Swamp, 1971

Ed Fornieles

Pond, 2015

Barbara Hammer

Synch Affect, 1981

T

Christiane Fochtmann

Talkshow, 2006

Andreas Korte

Tanzfilm, 2011

Matt Calderwood

Tape, 2005

VALIE EXPORT

Tapp- und Tastkino (Bear on Cinema), 1968

Dara Birnbaum

Engineering/Transformation: Wonder Woman, 1978/79

Alex McQuilkin

Teenage Daydream: In Vain, 2002-2003

Alex McQuilkin

Teenage Daydream: It's but Rock & Scroll, 2002

Christian Marclay

Telephones, 1995

Takeshi Murata

Tennis, 2015

Ed Atkins

The Anthrophagus!, 2010

Laure Prouvost

The Creative person, 2010

Stephen Vitiello

The Bone Clocks, 2015

Terence Koh

The Camel was God, the Camel Was Shot, 2007

Melanie Gilligan

The Mutual Sense, 2014/xv

Leo Gabin

The Concept, 2015

Jen DeNike

The Deadman's Bladder, 2005

Reynold Reynolds & Patrick Jolley

The Drowning Room, 2000

Lynn Hershman Leeson

THE ELECTRONIC DIARIES OF LYNN HERSHMAN LEESON 1984–2019, 1984–2019

Ant Farm & T.R. Uthco

The Eternal Frame, 1975

Nathalie Djurberg & Hans Berg

The Experiment, 2009

Cavern, 2009

Forest, 2009

Greed, 2009

Anicka Yi

The Flavor Genome, 2016

Leo Gabin

The Heart Wants, 2015

Marina Abramović

The Hero, 2000

Marina Abramović

The Hero, 2001

Chloe Wise

the hotel gave us wine, 2015

Frances Stark

The Inchoate Incarnate: After a Drawing, Toward an Opera, but Earlier a Libretto Fifty-fifty Exists, 2009

Basel Abbas & Ruanne Abou-Rahme

The Incidental Insurgents: The Function About the Bandits (Chapter two), 2012/13

Eleanor Antin

The Rex, 1972

Cyprien Gaillard

The Lake Arches, 2007

Juan Downey

The Laughing Alligator, 1979

Jesper Just

The Lonely Villa, 2004

Cory Arcangel

The Making of Super Mario Clouds, 2004

Amir Yatziv

The National Park, 2015

Douglas Gordon

The nature of relationships between few words, 2006

Marina Abramović

The Onion, 1996

Vito Acconci

The Red Tapes, 1977

Record i: Common Knowledge, 1977

Tape ii: Local Colour, 1977

Tape 3: Time Lag, 1977

Neb Viola

The Reflecting Pool – Collected Work 1977–fourscore, 1977–80

The Reflecting Pool, 1977–79

Moonblood, 1977–79

Silent Life, 1979

Aboriginal of Days, 1979–81

Vegetable Retentiveness, 1978–80

Asier Mendizabal

The Staff That Matters (30,000), 2009

Asier Mendizabal

The Staff That Matters (SI), 2009

Tobias Zielony

The Street (C.P.A.), 2013

Chris Burden

The T.Five. Commercials, 1973-1977

Stephen Vitiello

The Waves, 2015

Tony Oursler

The Weak Bullet, 1980

Elizabeth Cost

The Woolworths Choir of 1979, 2012

Hannah Perry

The worse you feel the better I expect, 2015

Stephen Vitiello

The Wrath of Angels, 2015

Florian Meisenberg

the_anciety_of_influence, 2015

Florian Meisenberg

the_tacit_one, 2015

Vito Acconci

Theme Song, 1973

Laure Prouvost

They Parlaient Idéale, 2019

Britta Thie

„Three Infomercials", 2016

Vito Acconci

Three Relationship Studies, 1970

Shadow-Play, 1970

Imitations, 1970

Manipulations, 1970

Peter Campus

3 Transitions, 1973

Hannah Perry

To say you lot experience something, 2015

Hannah Perry

likewise loud and besides wavy, 2015

Sarah Kürten

TOSS ME MY LIGHTER, COULD Y'all Babe?, 2020

Florian Meisenberg

towards_a_new_architecture, 2015

Jon Rafman

Transdimensional Serpent, 2016

Manuel Acevedo

Tropisms – WTC (World Trade Eye) Site, 2007

Isaac Julien

True North, 2004

Tony Oursler

Tunic (Vocal for Karen), 1990

Gwenn Thomas

Twilight, 1975

Dan Graham

Two-style Mirror Power, 2006

Manuel Graf

Über die aus der Zukunft fließende Zeit, 2006

U

Marcel Dzama

Untitled, 2008

Kurt Lightner

Untitled, 2004

Keren Cytter

Untitled, 2009

Nadim Vardag

Untitled, 2011

Trisha Donnelly

Untitled, 2005

Trisha Donnelly

Untitled, 2008

Trisha Donnelly

Untitled, 2010

Trisha Donnelly

Untitled, 2012

Trisha Donnelly

Untitled, 2011

Trisha Donnelly

Untitled, 2013

Marcel Dzama

Untitled, 2008

Marcel Dzama

Untitled, 2008

Marcel Dzama

Untitled, 2008

Isa Genzken

Untitled, 2017

Jo Baer

Untitled, 1966-1974

Ed Atkins

Untitled (1), 2013

Ed Atkins

Untitled (two), 2013

Ed Atkins

Untitled (iii), 2013

Ed Atkins

Untitled (4), 2013

Ed Atkins

Untitled (5), 2013

Ed Atkins

Untitled (7), 2013

Ed Atkins

Untitled (8), 2013

Ed Atkins

Untitled (9), 2013

Adam McEwen

Untitled (A-Line), 2002

Paul Chan

Untitled (Subsequently St. Caravaggio), 2003–2006

Klara Lidén

Untitled (Column Monkey), 2010

Klara Lidén

Untitled (Down), 2011

Patty Chang

Untitled (For Abramović, Dearest Cocteau), 2000

Trisha Donnelly

Untitled (mountain), 2008

Jules de Balincourt

Untitled (Pastoral Scene), 2006

Klara Lidén

Untitled (Trashcan), 2011

Klara Lidén

Untitled (Nether Mattan), 2006–2010

Anne Imhof

Untitled (Wave), 2021

Jeff Burton

Untitled #151 (Sentry Fence), 2001

Jeff Burton

Untitled #176 (Rods and Clamps), 2003

Jeff Burton

Untitled #182 (Spa Rules), 2003

Trisha Donnelly

Untitled I (Double Alpha), 2007

Andreas Gursky

Untitled XII, No.4, 2000

Carolee Schneemann

Up to and including her Limits, 1976

Ed Atkins

The states Expressionless Talk Love, 2012

Hannah Perry

Useless, 2015

Kurt Lightner

Useless Fruit, 2006

V

Charles Richardson

Vanish, 2015

Bruce & Norman Yonemoto

Vault, 1984

Joan Jonas

Vertical Whorl, 1972

Nam June Paik

Video-Film Concert, 1966-1972/1992

Colin Montgomery

View, 101 Constitution Artery (U.Southward. Capitol), 2006

Bruce Nauman

Violin Film #1 (Playing The Violin As Fast As I Can), 1967–1968

Steina Vasulka

Violin Power, 1970-76

Timur Si-Qin

Visit Mirrorscape 2016: Make it, 2016

Timur Si-Qin

Visit Mirrorscape 2016: Here, 2016

Timur Si-Qin

Visit Mirrorscape 2016: Now, 2016

Anthony Burdin

Voodoo Vocals, Agent of Fortune Cassette Tour 1999 – Don't Fear the Reaper, New York, 11 / 22 / 02, 2002

Anthony Burdin

Voodoo Vocals, Bulldoze Hwy 101 N (1. You lot just live twice, 2. Information technology was a very good yr), 2005

Jan Paul Evers

Vorhang, 2010

W

Hannah Perry

Waiting here, 2015

Bruce Nauman

Walking in an Exaggerated Manner Effectually the Perimeter of a Square, 1967–1968

Monica Bonvicini

Wallfuckin', 1995

Encyclopedia Pictura & Björk

Wanderlust, 2008

Thomas Bernstein

Wandler, 2007

Adam Putnam

Wardrobe, 1997

Ed Atkins

Warm, Warm, Warm Spring Mouths, 2013

Nathalie Djurberg & Hans Berg

We are non two, We are ane, 2008

Chloe Wise

we had a traumatic threeway, 2015

Chloe Wise

we've been drinking since apex, 2015

Guan Xiao

Weather condition Forecast, 2016

Clemens von Wedemeyer & Maya Schweizer

P. Staff

Weed Killer, 2017

Lutz Mommartz

Weg zum Nachbarn, 1968

Hannah Perry

What are yous thinking about, 2015

Alex Morrison

What Does information technology Mean to Inhabit a Ruin?, 2013

Andrea Büttner

What is and so terrible nigh craft? / Dice Produkte der menschlichen Hand, 2019

Christian Jankowski

What Remains, 2004

Olafur Eliasson

When Honey is not enough Wall (Fragment), 2007

Aaron Young

White Cons, 2003

Amalia Ulman

White Flag Emoji 1, 2015

Amalia Ulman

White Flag Emoji ii, 2015

Amalia Ulman

White Flag Emoji 3, 2015

Amalia Ulman

White Flag Emoji 4, 2015

Amalia Ulman

White Flag Emoji five, 2015

Amalia Ulman

White Flag Emoji 6, 2015

Peter Weibel

Wind & fast forward, Realitätsspaltung, 1990

Takeshi Murata

Witch Rises, 2015

Maria Anna Dewes

Wolf, 2008

Jen DeNike

Wrestling, 2002

Leo Gabin

Write your name, 2015

X

Patriot Act, 2004

Heaven's little Helper, 2005

Judgement Day, 2006

Go out Strategy, 2005

Y

Pipilotti Rist

You lot Called Me Jacky, 1990

Tracey Emin

Y'all Must Have Promise, 2016

Z

Thomas Demand

Zaun (Debate), 2004

John Bock

Zezziminnegesang, 2006

Otto Mueller

Zwei Mädchen – Halbakte (Russisches Mädchenpaar), 1920

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Watch more than 220 time-based media artworks by over 60 artists from the JULIA STOSCHEK Drove online at JSC Collection Catalogue

ONLINE Collection CATALOG

The online collection catalog offers the opportunity to research and view over 890 works past 300 artists from the JULIA STOSCHEK COLLECTION.

Over the next months, videos and films will be continually uploaded and fabricated attainable online. They are accompanied by explanatory texts virtually the works. Or you can drop by our JSC Video Lounge straight.

A listing of all attainable works tin be found by clicking on „viewable online" „nether Tags" and and then selecting „Works".

To date over220motion-picture show-, video- and sound-based works by62artists from the collection can exist viewed in their entirety. Amid the works in this starting time selection are pieces by John Bock, Monica Bonvicini, Klaus vom Bruch, Ian Cheng, Keren Cytter, Jen DeNike, Nathalie Djurberg & Hans Berg, Tracey Emin, Cao Fei, Fischli & Weiss, Dara Friedman, Kate Gilmore, Douglas Gordon, Christian Jankowski, Imi Knoebel, Klara Lidén, Lutz Mommartz, Elizabeth Toll, Pipilotti Rist, Wolfgang Tillmans, Ryan Trecartin, Andro Wekua, and Tobias Zielony.

JSC'southward long-term goal is to brand the unabridged drove bachelor online, thus creating a platform for fourth dimension-based art that supports the accessibility and appointment of time-based art.

Almost THE Collection

"Many of the works in this drove construct multi-temporal worlds; they harbor not one period of events, merely a labyrinth of diverging paths, each with its own pace and temporality. The collection is thus a complex annal of temporalities, storing passed moments and layers of time that can be technically repeated, in principle an infinite number of times."

Daniel Birnbaum

from: Daniel Birnbaum, Repetitions, in Number One: Destroy, She Said (Ostfildern: Hatje Cantz Verlag, 2007), 12.

Established in 2002 past Julia Stoschek, the JULIA STOSCHEK Collection has grown to be an expansive collection of fourth dimension-based art spanning picture, video, audio, functioning, and computer and software-based works. At present, over 860 artworks by more than than 282 contemporary artists  beyond genres and generations offering an overview of time-based fine art from the 1960s to today with a strong focus on works made subsequently 2000.

The term time-based fine art (or time-based media) describes works of art that unfold in time. Fourth dimension-based fine art therefore encompasses all artworks in which duration is a dimension and comprises film, video, single- and multi-channel video installation, slide installations, multimedia environments, sound, operation, reckoner and software-based artworks such as virtual and augmented reality, and other forms of technology-based art. These works are oftentimes allographic, meaning they are only visible when installed or projected.

At the JULIA STOSCHEK Collection, early expanded cinema, video, and performance works by Bruce Nauman, Anthony McCall, Joan Jonas, or Marina Abramović meet Doug Aitken's video installations, Ian Cheng's live simulations, and Hito Steyerl's all-encompassing environments. The collection contains many artworks by pioneering female and feminist artists and experimental filmmakers from the 1960s and '70s, among them Dara Birnbaum, VALIE Consign, Barbara Hammer, and Hannah Wilke. A younger generation of artists includes Ed Atkins, Loretta Fahrenholz, Cyprien Gaillard, Josh Kline, Jon Rafman, Rachel Rose, Mika Rottenberg, Anicka Yi, and Tobias Zielony, to proper noun a few. The drove strives to build sustainable relationships with artists and galleries, focusing on primal works and groups of works made throughout artists' careers, growing with and reflecting their evolving exercise.

The collection is characterized by an ever-growing technological convergence and interdisciplinary approach: "The video art of today is theater, performance, musical operation, sculpture, projection, moving image, moving bodies, dance, stage, screen, real space, existent fourth dimension, all in one," writes Peter Weibel in the catalog accompanying the exhibition "High Performance," jointly organized past JULIA STOSCHEK COLLECTION and ZKM | Centre for Fine art and Media in 2015. Bringing these fields together, the collection is unique in its heterogeneity, but certain themes nevertheless manifest across the drove, in works that address sociopolitical questions; identity politics; forms of narrative, fiction, and documentary; the torso and representation; performativity and performance; the gaze; and the relationship between our built environment and the natural world.

Some of these themes have been explored in exhibitions and programs at the JULIA STOSCHEK COLLECTION in Düsseldorf and Berlin, as well as at several international institutions. 27 large-scale exhibitions have taken place at the collection's exhibitions spaces in Düsseldorf and Berlin since 2007. Among these were significant solo exhibitions past Derek Jarman, Sturtevant, Elizabeth Price, Ed Atkins, Frances Stark, Trisha Donnelly, Cyprien Gaillard, Arthur Jafa, and Ian Cheng.

The first large-calibration group exhibition at the drove, Number One: Destroy, She Said (2007–08), was named after a video installation by artist Monica Bonvicini and loosely explored the relationship between interior and outside, structure and destruction. Number Ii: Delicate (2008–09) focused on the torso and corporality, bringing together video, performance, and body art. Number Three: Here and Now (2009–ten) was dedicated solely to performance and the ephemeral, with performances and concerts by some of the about prominent contemporary artists working today scheduled all year long. Almost ten years later, Number Thirteen: Hello Boys (2015–16) revisited functioning and feminist video, questioning the representation of female identity and the performance document. To celebrate its tenth anniversary, the JULIA STOSCHEK COLLECTION invited artist Ed Atkins to curate a group exhibition in Düsseldorf, which he called Generation Loss (2017). The title refers to the procedure of quality deterioration equally information carriers are copied successively and, at the aforementioned time, to the social upheavals from one generation to the adjacent.

The inaugural exhibition in Berlin, Welt am Draht (2016), addressed the influences and shifts in our social reality, identities, and environs effected by processes of digitalization. Another group bear witness, Jaguars and Electric Eels (2017), explored notions of indigeneity, of hybrids and synthetic forms of life, the migration of the species, and our constantly changing perceptions of reality. Large-scale solo presentations supplement the collection exhibition program. In 2018, the JULIA STOSCHEK Drove, Berlin, presented a comprehensive exhibition by Arthur Jafa, his first in Germany. In addition to exhibitions, smaller projects, talks, and ongoing screenings regularly accompany the programme. At that place are ii cinemas in Düsseldorf equipped to screen 16mm and 35mm films in their original format.

LOAN REQUESTS

Loan requests for works of the JULIA STOSCHEK Drove should be sent past electronic mail to Anna-Alexandra Pfau, Head of JSC Düsseldorf & Sammlung, pfau@jsc.fine art

The loan request volition be processed if the following conditions are met:

Loan requests must be made at least 6 months before the desired first of the loan menstruation. The request must comprise the post-obit information and documents:

Name and address of the establishment submitting the loan request; name, part, telephone number, postal address and eastward-mail address of the contact person; exact name of the requested piece of work; catamenia, proper name of the exhibiting establishment and location of the exhibition; detailed exhibition or project clarification in which the work is to be presented; a electric current facility written report of the institution.

Please annotation that works that have a reference to Electronic Arts Intermix in the Courtesy line may not be lend through the JULIA STOSCHEK Collection. Please contact Electronic Arts Intermix, New York directly.

RESTORATION & PRESERVATION

Long-Term Archiving

The conservation requirements for fourth dimension-based media (TBM) have changed drastically over the last ten years. Initially the medium—specifically videotapes and DVDs—was the primary focus of conservational attention. Simply like any other materials, media are also susceptible to crumbling processes that in the long run tin pb to damage or even the loss of works.

Yet aging is just one aspect of the trouble. There are as well file formats and circuitous technical installations that are based on computer technologies or other hardware. All of these components can age: non only the media themselves are affected past the processes of decay, but even the content can become unreadable over of the years due to incompatibilities. Technological evolution constantly results in new file formats and software codecs that are adapted in the production process of video artists. This is why in addition to the material-related risks, careful ascertainment is necessary to define which technologies take a promising futurity—and which digital platforms and formats are on their way to becoming obsolete. To this end all new acquisitions must be thoroughly evaluated and documented to decide the verbal blazon of digital format. The files are then transferred to a digital repository.

To meet all of the different requirements, a multistage strategy for long-term archiving was developed for the JULIA STOSCHEK COLLECTION, based on the "three-colonnade approach." The goal is to consolidate the heterogenous drove on a digital level in simply a few established and homogeneous target formats. This noticeably reduces the conservation attempt since only a manageable number of formats need to exist regularly checked and monitored to safeguard against formats that are becoming obsolete. This is flanked by individual solutions for artworks that do not support a standardized procedure. On a digital level, multiple backups that are independent and redundant give additional security, thus ensuring that the collection is preserved.

Media-Art Repository

The media fine art-depository is the heart of the collection. Since fluctuating temperatures and humidity factors crusade damage to videotapes and film, this was 1 of the near of import factors during the planning. Temperatures of effectually 15 degrees Celsius (59 degrees Fahrenheit) and 35 pct relative humidity (RF) are considered optimal for storing magnetic tapes and was therefore chosen for the repository. These conditions are also appropriate for film and slides.

The media art depot, designed and individually planned for the JULIA STOSCHEK Collection, has ii airlocks: i prevents precipitous changes in climate when people enter, while the 2nd airlock is conceived for tapes and media that are stored in the media depository. They tin acclimate slowly in the airlock before they are moved to special mobile shelving for storage. The mobile shelving organization, which is equipped with ball-bearing mountings, ensures that the space is used optimally. The floor has a stove-enamel finish and was checked for leftover magnetic charge to eliminate all risks for the stored videotapes. In improver, the shelves are grounded to prevent any static electricity.

Since grit and air pollution represent a serious danger for media artworks, the air is filtered multiple times earlier and after the conditioning process. Smoke and water detectors equally well as an alarm system simultaneously offer comprehensive hazard protection.

The elaborate technical amenities in combination with the custom mobile shelving make the media-art repository unique in Europe.

Andreas Weisser

Time-based media conservator

richardiver2001.blogspot.com

Source: https://www.jsc.art/

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